Bach: Sonatas & Partitas for Solo Violin – Premium Classical Music CD | Perfect for Violin Practice, Concerts & Relaxation

Itzhak Perlman’s offering of Bach’s Solo Sonatas and Partitas should be a staple in every music library, if for no other reason than for his impeccable technique, and specifically, for his amazing restraint on what seems to be an overly zealous and widespread indulgence in “interpreting” Bach. I have a more satisfactory experience with Bach when musicians provide straight instrument playing and suggest glimpses of profoundly deep feelings that may be inherent in a piece and in the intent of the composer, rather than violently slamming a bow into the strings to get the message across. I feel that Perlman restrains himself confident that his listeners have strong enough imaginations to complete the experience. This is one of the many dimensions of genius in Perlman’s playing which does not disappoint, and yet does not overindulge. That is hard to achieve in any endeavor. Perlman offers this with seeming effortlessness. For example, Perlman’s playing of the opening measures of the ciaccona in the second partita leaves plenty of room to decide how to interpret the flow without locking anyone into any particular way of receiving it. Listeners may participate in the piece and take advantage of options to vary slightly the interpretation to suit one’s moods. I am a moody person, so this suits me very well. Sometimes I just cannot endure a gut wrenching wail of despair. Perlman’s playing provides numerous silver linings of potential everywhere there is a storm cloud of emotion. No heavy feeling ever seems hopeless. Listeners who strongly advocate Dionysian ecstasy may find Perlman’s Apollonian restraint too civilized. Open minded lovers of music will cherish it.