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Bartok: Works for Piano Solo 7 | Classical Piano Music Collection by Bela Bartok | Perfect for Piano Practice, Recitals & Music Lovers
Bartok: Works for Piano Solo 7 | Classical Piano Music Collection by Bela Bartok | Perfect for Piano Practice, Recitals & Music Lovers

Bartok: Works for Piano Solo 7 | Classical Piano Music Collection by Bela Bartok | Perfect for Piano Practice, Recitals & Music Lovers

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Amazon.com Zoltán Kocsis's series of Bartók's piano music is of tremendous importance, both for the interpretations themselves and for the musicological integrity of the enterprise. In volume 7 (the final installment), Kocsis includes the rarely heard 1925 piano version of the Dance Suite. He commands a vast variety of touch (listen especially to the second movement) and imbues the whole with great character. Listeners who are used to the familiar orchestral version will find themselves pleasantly surprised by the emotional and tonal scope of this performance. The Lisztian virtuoso writing of both long and shortened versions of the Rhapsody is dispatched with real panache by Kocsis. Perhaps the greatest storehouse of delight in this collection is the Four Piano Pieces of 1903, one of the first of this composer's works to be published. It seems unbelievable that the first piece is for the left hand alone. The final piece, Scherzo, is spiky and sparkly: Kocsis ensures it is pure delight. Finally, the greyness and grimness of Bartók's own transcription for solo piano of the "Funeral March" from the symphonic poem Kossuth is tellingly portrayed. --Colin Clarke

Reviews

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- Verified Buyer
The seventh volume in Kocsis's invaluable survey of Bartók's piano music might prima facie look like something of a mopping-up disc, consisting as it does of arrangements and very early works. And I agree that this is hardly the place to start for anyone coming new to the series. But for those of us who are already acquainted with it, this one is utterly unmissable as well.First of all, the performances are, as on all the other releases, magisterial. A more insightful, colorful and rhythmically incisive approach to these works is hard to imagine. The piano transcription of the Dance Suite is brilliant, and Kocsis is able to whip up all the raw power and barbarisms of the music with all the gusto and technical skills it requires; and what an ecstatic conclusion he is able to realize. The early rhapsody is given in two versions, and while this is not Bartók at his absolutely best, in Kocsis hands it becomes something of a gem. The four pieces are even earlier and written in a not quite conservative late romantic language. While not idiomatic Bartók, these are very fine works which deserves to be heard. An outstanding release then, and a must to anyone who follows the series (and who would not?)